The potential for drowning in the wave of research

Following on from my previous post, another area which seems to fascinate people is how I approach researching different aspects of World War II for Under the Yew Tree and the sequel, Oak Before Ash.

I’ve always had a fascination for ancestry and I am proud that my grandparents and great grandparents ‘worked the land’ in Hampshire and West Sussex.  I also harbour a life-long interest in the Second World War – especially in the regional importance West Sussex had during this period. This interest was possibly ignited by my father’s stories about being in the Home Guard and when he  was on the ‘night watch’ he apparently kept a machine gun under his bed! A far cry from the innocence of Dad’s Army, as I’ve researched more for Under the Yew Tree, I’ve often wondered if my father was in more than just the Home Guard…

For both Under the Yew Tree and, now, for Oak Before Ash, I’ve read numerous books and articles on WWII; the politics, the economics; the communities. My bookshelves are groaning under the weight! With Oak Before Ash, in particular, I’m researching and learning more about how the French Resistance operated in France – and from Tangmere in West Sussex, as well as Churchill’s ‘Secret Army’ which many don’t know about, even now. What strikes me more than anything in my research, is how advanced we were in technology and espionage at the time and also, how horribly close we were to German Occupation.

It is very easy to drown in research and be distracted; especially when the subject is so inspiring for you as a writer, so it is easy to fall into the trap of not writing anything! I suppose I’m lucky in that I find my research keeps moving and keeps me moving forwards: one thing leads to another question, which leads to an idea, which leads to writing and back to research for fact checking. I think the trick of not driving yourself off course, is to find your thread and commit to it. Of course, you will be influenced by new information but, if you feel something works in your plot, then use it. It’s called ‘artistic license’!

As far as Oak Before Ash goes, I’m making good progress, but I don’t want to give too much away at this stage, so you’ll need to ‘watch this space’ for more…